^ Van Gelder, Lawrence (August 22, 1974).

^ Old British Pink Floyd Flick â Not One Of Season's Best.

^ 'Pink Floyd' Picture Has World Premiere in Cincy' (p.

^ a b c 'Live at Pompeii: In-Depth Analysis, part one'.

^ a b c d 'In Depth Analysis and interview with Adrian Maben'.

'Interview with Adrian Maben' (Interview).

^ a b c d e f g h i j k l Powell Jr, Paul Johns, Matt (2003).

^ a b c d 'Hot Combo Draws Trade Attention: Borack, Rehme Into Sales, Establish April Fools Films' (p.

While there, he was named an honorary citizen of Pompeii and made a short documentary with English classicist Mary Beard that featured Adrian Maben, as can be seen in the subsequent film, Live at Pompeii (2017). In July 2016, Gilmour returned to the amphitheatre where the filming took place and performed two live concerts, this time with an audience.

'Set the Controls for the Heart of the Sun'Ģ016 5.1 Surround Sound film and stereo CD.

'Set the Controls for the Heart of the Sun'.

Track listing Pink Floyd Live At Pompeii The Director's Cut Torrent Movie 1972 original film Mason recalls the reason for that is that the reel of film featuring the other members was lost attempting to assemble the original cut. Maben was particularly frustrated about the lack of additional shots for 'One of These Days,' which is primarily a Mason solo-piece in the released version.

At some point, an employee of the owners, MHF Productions, decided this footage was of no value and incinerated all 548 cans of the original 35 mm negatives. Lawrence Van Gelder of The New York Times dismissed the film as 'a fan-magazine article dressed up as a movie, with lots of close-ups of its heroes and an off-screen interviewer who occasionally drops in a question or a commentâabout their equipment or their compatibilityâand is satisfied with whatever he is told.' ĭue to the lack of time in filming, no tracks were filmed that were unreleased, but several alternative shots and outtakes were held in the Archives du Film du Bois D'Arcy near Paris. Reviewing the 1974 release, Audience regarded the film as 'a handsome visual production.' The Hollywood Reporter called it a 'fully structured concept which stands on its own quite beyond its function of recording a live rock concert.' Gene Siskel of the Chicago Tribune gave the film three stars out of four and wrote, 'The interviews with Pink Floyd are too scattershot to achieve any significance we are left with the music, which is extremely fine.' Meanwhile, Billboard was not enthusiastic about the 1974 release, thinking it looked dated, and stated that the film was 'dull, unimaginative and hokey, and does not do justice to the Pink Floyd Vision'.

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